Overview Paradise Excavated, Willem Twee Kunstruimte, 2023, photo by Gunnar Meier

Continent (Survivors), 2023, 72x47cm, underglaze and oxides on red clay, photo by Gunnar Meier

Sleeping Together, Trial, 2023, 71x43x17cm, underglaze and oxides on red clay, photo by Gunnar Meier

Sleeping Together, 2023, 71x43x17cm, underglaze and oxides on red clay, photo by Gunnar Meier

Sleeping Together (detail), 71x43x17cm, photo by Gunnar Meier

Trial, 2023, 71x43x17cm, underglaze and oxides on red clay, photo by Gunnar Meier

Trial (detail), 71x43x17cm, photo by Gunnar Meier

Altar, 2023, 70x45x8 cm, underglaze and oxides on red clay, photo by Gunnar Meier

Altar (detail), photo by Gunnar Meier

Continent (Survivors), 2023, 72x47 cm, underglaze and oxides on red clay, photo by Gunnar Meier

Continent (Survivors), 2023, 72x47 cm, underglaze and oxides on red clay, photo by Gunnar Meier

Continent (Survivors), 2023, 72x47 cm, underglaze and oxides on red clay, photo by Gunnar Meier

Continent (Survivors), 2023, 72x47 cm, underglaze and oxides on red clay, photo by Gunnar Meier

Vrouw bij de zee, 2023,148x83cm, underglaze and oxides on stoneware, photo by Gunnar Meier

Purification, 2023, 71x43x17 cm, underglaze and oxides on stoneware, water, Prospects & Concepts, Art Rotterdam

Zeeburgerdijk 109B,106B,103A, 99A, 99B en 99C, 2021, 157 x 90 cm, fabric paint on handmade towel, used by my nextdoor neighbors and machine washed, Koninklijk Paleis Amsterdam

Holiday, 2021, fabric paint on carpet tiles and handmade washcloths, water and soap in oven trays, photo by Tom Haartsen

Washclothes (element of Holiday), 2021, 24 x 20 cm, fabric paint on handmade washcloths

Head of the family, 2021, fabric paint on handmade towels and washclothes, acrylic on serving plate

Abraham, his director Mariska and his Guest


Cambridge House, 2019, Croydon (UK)


03:00 min video: Documentation of an organized party for the figure Abraham. This party is inspired by Søren Kierkegaard’s Fear and Trembling. In this book Kierkegaard writes about the philosophical complexity and absurdity surrounding Abraham’s trial and his willingness to kill his son and biggest love Isaac. 


This experimental event asks questions of abstraction, ritual exchange, narrative function and belief. Guests are invited by their hostess (me) to swallow and chew on shaped colours, while simultaneously being directed to physically move inside and outside their group structure.

Breehornstraat 113, 2017, glazed factory tiles, light bulbs and plastered PVC tubes, Amsterdam, photo by Sander van Wettum